Before reading the articles,
I had this thought in mind that racism today is subtle and is rarely acts of
the physical violence and riots; the way it used to be in the history of the
mankind (even though, I have to admit, these types of outbreaks still take
place, unfortunately). Van Dijk calls new racisms “discursive”: “they appear
mere talk, and far removed from the open violence and forceful segregation of
the old racism. Yet, they may be just as effective to marginalize and exclude
minorities” (p. 34). He talks about two dimensions of racism: social (everyday
discriminatory practices) and cognitive; while stressing that the cognitive
dimension as “beliefs or social representations many members of the dominant
(white) ingroup have about immigrants and minorities are largely derived from
discourse”. (p.36) The critical discourse theories were used as a main method
of analysis of the new racisms by Van Dijk (deconstructing the newspaper
article about immigrants in Britain as an example of what shapes our cognitive dimension).
When taking the
Youth Culture course last semester, I learnt about S. Hall`s and M. Foucault`s theories
of semiotics, representation, and discursive analysis. I applied the discourse
analysis to female representation in advertising and hip-hop. That course
taught me to use critical analysis tools when looking at the images, reading
the texts, or watching pop culture videos. New racisms are present in all types of media
both printed, audio, and visual. Challenging the new racisms shall include viewing
and absorbing all information with critical lenses, deconstructing the
representation. In my opinion, teaching students media literacy is one of the
practical ways to challenge the new racisms. The other teaching approaches we
can use to allow critical thinking is by creating a democratic, inclusive, and
open to discussions classroom environment, encouraging dialogues and learner-centered
teaching methods.
The question that
remains with me is: How do we decrease the commercialization of discourse. It
seems that the current media uses discourse to earn readers and fame.
References
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